Oil On Canvas, Real Flavor of Old Masters

All Bonaventura Peeters 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
88436  
An Oriental Harbour, Bonaventura Peeters
  		 An Oriental Harbour   between 1650(1650) and 1652(1652) Medium Oil on wood cyf
83570  
Dutch Ferry Boats in a Fresh Breeze, Bonaventura Peeters
  		 Dutch Ferry Boats in a Fresh Breeze   1640s Medium Oil on oak panel Dimensions 33 x 38.2 x 6 cm (13 x 15 x 2.4 in) cyf
82147  
Grobes Seestuck, Bonaventura Peeters
  		 Grobes Seestuck   Date by 1652(1652) Medium Oil on canvas Dimensions 50 x 85 cm (19.7 x 33.5 in) cjr
96542  
Sea storm with sailing ships, Bonaventura Peeters
  		 Sea storm with sailing ships   circa 1640(1640) Medium oil on panel cyf
90402  
Storm on the Sea, Bonaventura Peeters
  		 Storm on the Sea   1632(1632) Medium oil on oak Dimensions Height: 58.5 cm (23 in). Width: 84.5 cm (33.3 in). cyf
90017  
The Great Flood, Bonaventura Peeters
  		 The Great Flood   first half of 17th century Medium oil on oak panel Dimensions Height: 19 cm (7.5 in). Width: 34 cm (13.4 in). cyf
Bonaventura Peeters
(Antwerp, 23 July 1614 - Hoboken (Antwerp), 25 July 1652) was a Flemish Baroque painter who specialized in seascapes and shipwrecks, known as Zeekens (small seascapes). Peeters, brother of the seascape painters Jan Peeters I, Gillis Peeters, and Catharina Peeters, learned to paint from his father, who became a master in Antwerp's guild of St. Luke in 1607 - 1608, and his earlier works are related to the tonal phase of Dutch landscape painting. Later paintings, however, reflect the stronger colors of Italianate classicism. This shift follows the general changes in artistic style at the time. Like his brother Jan, dramatic shipwrecks with dark billowy clouds, form a significant part of his oeuvre, as do serene ports and "portraits" of ships.Also, while many of Peeters's paintings reflect actual locations, and he may have even travelled along the coast of Scandinavia, his many views of far-away Mediterranean and Middle Eastern ports reflect a growing taste for the exotic and are probably inspired from fantasy and from prints. This tradition developed simultaneously in Flemish painting and in Dutch Golden Age painting, with many artists, including Peeters, working in both Antwerp and in the Dutch Republic.



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